In 1973, the Afghans still had a King who ruled from a palace in Kabul with his own resident court of musicians when Veronica set up home in Herat. This Afghan city sat close to the Persian frontier and was fully cognizant of its glorious history as the capital of a once vast Central Asian Empire. Veronica was not a casual traveler but a young musician married to a scholar. She was determined to make use of her time in Afghanistan and break out of the charmed circle of the expatriate academic and make real friendships with local women. The tentative story, the growth in these very different friendships, takes the reader into a rare, deep, and privileged insight into the hidden world of Afghan female society. This is more than enough to make this book remarkable, but it has an afterlife of its own. For a Communist coup, then the Russian invasion, a long guerrilla war of Resistance is followed by Civil War and the rise of the Taliban. Veronica was separated from her friends: feared the worst, sought to assist but was also aware that contact from a westerner could be lethal to them. Then a fragile peace allowed her to meet them again and pick up their stories. It is a most exceptional work, which reads like a novel.

Exploring and celebrating individual lives in diverse situations, Women Singers in Global Contexts is a new departure in the study of women's worldwide music-making. Ten unique women constitute the heart of this volume: each one has engaged her singing voice as a central element in her life, experiencing various opportunities, tensions, and choices through her vocality. These biographical and poetic narratives demonstrate how the act of vocalizing embodies dynamics of representation, power, agency, activism, and risk-taking. Engaging with performance practice, politics, and constructions of gender through vocality and vocal aesthetics, this collection offers valuable insights into the experiences of specific women singers in a range of sociocultural contexts. Contributors trace themes and threads that include childhood, families, motherhood, migration, fame, training, transmission, technology, and the interface of private lives and public identities.

Exploring and celebrating individual lives in diverse situations, Women Singers in Global Contexts is a new departure in the study of women's worldwide music-making. Ten unique women constitute the heart of this volume: each one has engaged her singing voice as a central element in her life, experiencing various opportunities, tensions, and choices through her vocality. These biographical and poetic narratives demonstrate how the act of vocalizing embodies dynamics of representation, power, agency, activism, and risk-taking. Engaging with performance practice, politics, and constructions of gender through vocality and vocal aesthetics, this collection offers valuable insights into the experiences of specific women singers in a range of sociocultural contexts. Contributors trace themes and threads that include childhood, families, motherhood, migration, fame, training, transmission, technology, and the interface of private lives and public identities.